This creates a story line largely dependent on music and editing, which is why its exceptional music and editing is even more noteworthy. Baby is smart to separate himself because he is considerate of the dangers these people could put onto his loved ones and naturally does not want to become close to them.Īfter Baby’s aforementioned accident, he was diagnosed with tinnitus and drowns out the noise with his incredibly diverse playlists. This displays Baby’s regret and disapproval of what he and the rest of the crew are doing. From the angle at which Griff stares, a long shot of Baby separates Baby from the rest of the crew, who sit at a completely different table. Another shot that tells the story well is Griff’s view of Baby at work. Whether the shot was a fast paced chase that put viewers to the edge of their seats or a more relaxed and upbeat dance number in Baby’s home, the long and smooth motion of the camera is something to admire.
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The more frequent and most noticeable shots in this movie were long choreographed tracking shots. Baby starts to think and act more like a vigilante as Bats and his team begin to compromise the safety of his loved ones, more specifically, his love interest Deborah and his deaf and mute foster father.
For as he got to know his partners, Baby’s views of good and bad actions along with the general world of crime gradually changed.
The outfit is definitely suitable for the character, since he is a character that will not hesitate to shed someone else’s blood in order to start and finish a deal more quickly.Īfter working with Bats, Baby’s white tee shirt and black and white sweatshirt turn into a grey tee shirt paired with black jeans.
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The others being Monica, code name Darling (Eiza Gonzalez), Buddy (Jon Hamm), and Baby.īats is initially introduced in all red and continues to wear that noticeable outfit. Leon, code name Bats (Jamie Foxx), is one of four criminals called in for a “big job”. Although, he does take off his sweatshirt and shades when he is more relaxed at home or generally outside of work, revealing Baby’s naturally good intentions. His views of the world are represented by his clothes: a white tee shirt, black and white sweatshirt, and dark shades. Initially, Baby sees the world in black and white, and is constantly haunted by the mistakes he made ten years ago as a scared little boy. This is only after Baby was in a car accident, where after he watched his beloved mother die, he ran away in Doc’s Mercedes loaded with expensive luggage. Miles, code name Baby, is forced as a terrified seven year old to pay Doc (Kevin Spacey) off, working for him as a getaway driver for his underground crime industry. Edgar Wright’s most recent film has already been recognized as a potential award winner for its significant story line and entertainment value, along with its color and costume, cinematography, and of course, its music and editing. The world is not black and white, yet there are still people who don’t believe that, including Edgar Wright’s most recent protagonist, Baby (Ansel Elgort) in Baby Driver (2017).
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